Fee Download The Night Sky: Writings on the Poetics of Experience, by Ann Lauterbach
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The Night Sky: Writings on the Poetics of Experience, by Ann Lauterbach
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In her six collections of poetry, Ann Lauterbach has won acclaim for poems that explore the ways in which language simultaneously omits and defines our experience of reality. Lauterbach’s dazzling range of formal strategies, her search for methods that engage contemporary issues of identity, event, and description extend to her prose writings, collected for the first time in The Night Sky: Writings on the Poetics of Experience. At the center of this new book are a series of seven essays, originally written in the mid-1990s, which engage the interstices between poetics, politics, and memoir. Lauterbach advocates an active engagement with language, at once imaginative, philosophical, and practical; these writings demonstrate a radical relationship between how and what we know. By turns meditative and polemical, lyrical and descriptive, they argue for the centrality of art in a democratic society.
Also included in this wide-ranging collection are brilliant, provocative essays on Whitman and Emerson, illuminating remarks on poets Fanny Howe, Michael Palmer, Rosmarie Waldrop, and Barbara Guest, as well as considerations of artists David Smith, John Currin, and Joe Brainard.
- Sales Rank: #1218044 in Books
- Brand: Brand: Viking Adult
- Published on: 2005-05-05
- Released on: 2005-05-05
- Original language: English
- Number of items: 1
- Dimensions: 9.24" h x 1.00" w x 6.24" l,
- Binding: Hardcover
- 272 pages
- Used Book in Good Condition
From Booklist
A new book of poems and an essay collection showcase the subtle and philosophical work of a rarefied yet captivating poet.
In Hum, Lauterbach taps into both the sensual and the cerebral aspects of consciousness. Her exquisite lyric poems are like lacework, netting feeling and thought, and embodying the inner flickering of light and dark, presence and absence. As Lauterbach gambols between sense and sensibility, elusiveness and lucidity, she sketches a poetic universe similar in topography and weather to that of Stevens and Ashbery. She meditates on the music of Mahler and the art of Botticelli and Gerhard Richter, and, like a particle accelerator, her whirling poems atomize experience. In her most focused and moving poems, Lauterbach, like so many writers, including Jorie Graham in Overlord (2005), traces the concussive emotional effects of 9/11.
The nimble and glimmering essays in The Night Sky offer many insights into Lauterbach's life and poetics. She writes of her journalist father's early death. She muses on the nature of myth, and the difference between information and knowledge. She does write of stars and constellations and the dark, but for all the wonder of the sensuous, she confides that for many poets "language is the material of the world." It is a pleasure to see the forthright and communal side of Lauterbach, the side, one imagines, that inspires her to teach; the source, too, of her gracefully articulate arguments on behalf of poetry and all of art. And how perceptively she marvels over the vitality of today's poetry in spite of its utter neglect by society-at-large, and how eloquently she concludes that art is crucial to living a "life well spent" and to the well-being of a democratic society. Donna Seaman
Copyright � American Library Association. All rights reserved
Review
The mystery and longing in [Ann Lauterbach’s] work, the wit and heart are the things we feel on our skin. -- Don DeLillo
Review
"Showcases the subtle and philosophical work of a rarified yet captivating poet."
-Booklist
"To read The Night Sky is to take a privileged walk with a beautifully intellectual poet through the garden of poetry."
-Beloit Poetry Journal
Most helpful customer reviews
11 of 13 people found the following review helpful.
Recommended read for those who enjoy Ann Lauterbach's poetry
By Armchair Interviews
For those new to Ann Lauterbach's poetry, I recommend reading The Night Sky, writings on the poetics of experience. Starting with the introduction, she asserts, "To write poetry in America is in itself a subversive act." Then reading through the essays on the personal, the poetic, the political - to the works of Emerson and the concept of common ground - she engages in an articulate and meaningful way the importance of poetry, pushing boundaries, and allowing no one to own the language.
No topic escaped her notice in the bi-monthly column she wrote for American Poetry Review during 1996-1999. Her essay on the black dress amuses but informs beyond what one expects. Other essays are almost technical but very readable in their discussion of the use of language, fragment, form, reality and poetry.
The insights she attains from people such as Sylvia Plath, Howard Hughes, Bob Dylan and later Bill Clinton, Monica Lewinsky and Emerson, world events such as Abu Grab and 9/11 and her own chaotic life experience, are interwoven with her views on poetry and aesthetics. The Night Sky is a fascinating read and makes one want to be a poet.
1 of 1 people found the following review helpful.
must read!
By Allison Smith
Highly recommended! This book can be read in any order as each essay can stand on its own. It is a book that I will keep and return to.
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