Wednesday, March 25, 2015

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Primetime Propaganda: The True Hollywood Story of How the Left Took Over Your TV, by Ben Shapiro

“Vitally important, devastatingly thorough, and shockingly revealing…. After reading Primetime Propaganda, you’ll never watch TV the same way again.”
—Mark Levin

Movie critic Michael Medved calls Ben Shapiro, “One of our most refreshing and insightful voices on the popular culture, as well as a conscience for his much-maligned generation.” With Primetime Propaganda, the syndicated columnist and bestselling author of Brainwashed, Porn Generation, and Project President tells the shocking true story of how the most powerful medium of mass communication in human history became a vehicle for spreading the radical agenda of the left side of the political spectrum. Similar to what Bernard Goldberg’s Bias and A Slobbering Love Affair did for the liberal news machine, Shapiro’s Primetime Propaganda is an essential expos� of corrupting media bias, pulling back the curtain on widespread and unrepentant abuses of the Hollywood entertainment industry.

  • Sales Rank: #41774 in Books
  • Published on: 2012-06-26
  • Released on: 2012-06-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .94" w x 5.31" l, .70 pounds
  • Binding: Paperback
  • 416 pages

From the Back Cover

Primetime Propaganda is the story of how television has been used over the past sixty years by Hollywood writers, producers, actors, and executives to promote their liberal ideals, to push the envelope on social and political issues, and to shape America in their own leftist image.

In this thoroughly researched and detailed history of the television industry, the conservative columnist and bestselling author Ben Shapiro argues that left-leaning entertainment kingpins in Los Angeles and New York have leveraged—and continue to use—their positions and power to push liberal messages and to promote the Democratic Party while actively discriminating against their opponents on the right. According to Shapiro, television isn't just about entertainment—it's an attempt to convince Americans that the social, economic, and foreign policy shaped by leftism is morally righteous.

But don't take his word for it. Shapiro interviewed more than one hundred of the industry's biggest players, including Larry Gelbart (M*A*S*H), Marta Kauffman (Friends), David Shore (House), and Mark Burnett (Survivor). Many of these insiders boast that not only is Hollywood biased against conservatives, but that many of the shows being broadcast have secret political messages. After reading this groundbreaking expos�, readers will never watch television the same way again.

About the Author

Ben Shapiro is author of the national bestsellers Brainwashed, Porn Generation, and Project President. He hosts The Ben Shapiro Show in Orlando, Florida.

Most helpful customer reviews

285 of 324 people found the following review helpful.
Outstanding
By Alan Dale Daniel
Ben Shapiro's book is exactly what it says it is: a muckraker exposing Hollywood's extreme liberal bias in its entertainment programming. Mr. Shapiro also exposes the intent of this left wing bias is to change American public opinion to its political point of view.

The best proof of the premise of Primetime Propaganda is the numerous biographical sketches of the writers and producers of the hit programs profiled in the book. This is followed up by direct quotes from interviews the author had with these same people. The book does prove that the bias is real and it has had its intended effect of changing America's political landscape.

My only negative comment is Mr. Shapiro pours on the proof to the point of boredom. Bio after bio, quote after quote, and statement after statement is provided by the author to show that there is no doubt that his premise is proven. He even goes into depth on shows that I had, prior to reading this book, thought were non-political programs, such as, Happy Days, The Mary Tyler Moore Show, Three's Company, et al.

Primetime Propaganda also displays the viciousness of the liberal elite running Hollywood. The story of Michael Moriarty, the former star of Law and Order is sickening. He lost his job because he openly opposed attempts by Janet Reno to control primetime programming. Such things happen in America, and everywhere else no doubt, but they should not. Liberal viciousness is nonpareil and Mr. Shapiro proves it.

Now for my confession, I agree with everything the book says. Every word. As you may suspect I am a conservative from a rural area of the nation. I am so conservative that I think Dancing With The Stars should be forced to put clothing on its women. Any conservative will enjoy the book, but liberals will probably burn it at one of their midnight meetings.

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118 of 138 people found the following review helpful.
I wasn't sure just what to expect from this.
By JDThird
I'm so tired of the polarized politics in the country. Everyone on the one side thinks everyone else is a nut, and everyone on the other side thinks everyone else is a moonbat. I sit more in the middle, although I do seem to have more of a conservative leaning despite a couple key conservative beliefs I hold the opposite view on...

But I think sitting more towards the middle rather than on either side of the fringe has given me a little better overall view of the battle between left and right, and one of the things I've noticed is that the news does seem to slant quite a bit towards a left bias. And while I also knew there were a lot of popular TV shows out there that seemed written more towards the liberal point of view, I never realized just how pervasive it had been, since I watch so few TV shows.

The book starts with some of the history of the political situation in hollywood, and later goes into some show by show breakdowns and details of some of the biggest shows at various times, from The Honeymooners and Dick Van Dyke clear through Family Guy and Two and a Half Men. Some were clearly obvious, but some were less so, in the messages they communicated in the shows.

He also goes into some good points about the different ways the left dominates and maintains that domination. Through some of the chapters in the middle of the book I was expecting some seriously dry, nodding-off moments when I'd see the chapter title, but it was far more engaging, and at some points, scary, than I had anticipated, since I am one of the first people to laugh at conspiracy theories. But when he broke down the top shows that were watched by self proclaimed conservative viewers, it really did show the point that there is a paucity of conservative content, that conservatives are just turning to shows that are less liberal. that they have no options but to choose shows that are "closest to being apolitical or at least not openly insulting to conservatives."

Some of the details seem to be stretching to make a point though, such as a 1979 study that had one week with over 800 "depictions" of sex incidents, but only 4 of those were actual depictions of implied intercourse... The rest were innuendo or language referencing it. To me, these examples, while factual, seem to really reach to prove the point.

I did really like the chapters about government and hollywood though, because I had seen clearly the situation through the last presidential election. These chapters had some great information I had not been at all aware of. And the section titled, "Yes, Virginia, There's Politics in Children's Television" made me laugh out loud when I got there, because with a 7 year old son, I see nothing in children's programming available other than things that swing quite a bit to the left.

Depressing though is the end where he lists the top 12 conservative shows of all time...

If you're a conservative or a middle of the road person like me, there's plenty of meat in this book to wrap your mind around.

109 of 129 people found the following review helpful.
Well-Written, Well-Researched
By Jessica W.
I thought this book would be an interesting one to read since the premise is quite the bold one: for the past 40+ years, the leftist agenda has infiltrated TV - even shows you may not expect. Through the introduction and the first chapter, Mr. Shapiro kept introducing his main thesis - reminding me over and over again what the book was going to show me - and I found myself eager to actually have him get to the point (mark one against the book).

Something else off-putting: he slams his book "Porn Generation" in the introduction for making a 'moralistic argument' that is 'utterly ineffective' and fails 'miserably for one main reason: television is awesome.' Well, I guess I don't want to read that book any more (mark two against his writing). That statement though ('television is awesome') answers the comment of: "If you don't like it, turn it off." TV is an awesome drug! (I must be up front and say that our household watches little TV.)

Mr. Shapiro's explanation of why those in Hollywood criticize capitalism (a la Michael Moore) while at the same time benefitting from capitalism, is pretty plausible: vanguardism. On another level, this book explains for me personally why so much of Hollywood has a hatred of the Catholic Church (and other equally conservative religions), its teachings and its loyal followers: the liberal base of Hollywood does not allow any variation from the leftist message. Hollywood is so insular and cliquey that it simply does not allow for any outside influence or thought.

This is a well-researched, in-depth study of liberal programming and history of TV. It's often hard to see it in early shows because we are looking at those shows from our eyes colored by the past 40+ years of liberal programming. The history of the three major networks was really not all that surprising, just a confirmation of what seems obvious: NBC was started by a capitalist conservative, CBS moreso, and ABC by a die-hard liberal. "NBC became a semi-elitist mouth piece geared toward informing the public; CBS became a ratings juggernaut interested almost solely in revenue; ABC focused on sex and violence."

Mr. Shapiro also explains the small steps in the beginnings of television that started down the road towards more liberal content: creators, stars, writers, and producers that were liberal; loss of live audiences (and thus pushing the censors); the move to the West Coast; the executive-creator split; the push of sex & violence to survive the ratings; the end of profit-only TV and the beginning of social goal-oriented TV; segmented programming; leading the audience instead of mirroring the audience; just to name a few.

To be clear, the minor criticisms I have are not enough to dissuade anyone from reading this book. Your eyes will be opened by how much liberal programming has infected TV, with the help of the government, with almost a dearth of any conservative programming. Don't regret not getting this book.

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Thursday, March 12, 2015

[J658.Ebook] Free PDF An Introduction to Plant Structure and Development: Plant Anatomy for the Twenty-First Century

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An Introduction to Plant Structure and Development: Plant Anatomy for the Twenty-First Century

  • Published on: 1656
  • Binding: Hardcover

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Wednesday, March 11, 2015

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Soul Signs, by Rosemary Altea

Although most of us know our star sign, very few of us know we have soul signs, too. In this unusual and thought-provoking book, Rosemary Altea shows that there are also 13 soul signs to be discovered (for example, the 'newborn', the 'seeker', the 'traveller', the 'old', the 'warrior'). Soul Signs shows how to work out which one you fall into, what this means for you, your behaviour, your relationships and, indeed, every aspect of your life. When Rosemary Altea's first book, The Eagle and the Rose, was first published it became an international bestseller, selling well over half a million copies and topping charts all over the world. Her fourth book, Soul Signs, is hugely commercial, intriguing and fun - and is the new major work by this unusual author who is every bit as remarkable as James Van Praagh and John Edwards. Praise for The Eagle and the Rose:'A fascinating spiritual adventure. Rosemary Altea's journey of self-discovery reminds us that our existence is more mysterious than any of us have dared to believe' James Redfield, author of The Celestine Prophecy'I recommend this book-. One cannot deny the importance and truth of its message.' Bernie Siegel, author of Love, Medicine & Miracles

  • Sales Rank: #14011539 in Books
  • Published on: 2004-03-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.46" h x .87" w x 5.31" l, .78 pounds
  • Binding: Paperback
  • 320 pages

From Publishers Weekly
Imagine a new system of finding people with whom you could be compatible, or who at least understand the nature of your interpersonal dynamic. Based on information channeled from her spirit guide Grey Eagle, spiritual medium Altea (The Eagle and the Rose) has written such a system based on "Soul Signs" or energy groups: Fire, Earth, Air, Water and Sulphur. Although the first four sound similar to the cardinal associations of astrology, Altea firmly asserts that astrological and soul sign typing are different. For example, her mother is an Aquarian, but fire is her soul type. Fire souls are driven by passion; earth by a need to plan and strategize; air by a passive and calming energy flow; and water by a need to evaluate and compromise. The fifth group, sulphur, is a total departure from astrological ideas, as sulphur souls are driven by evil. Within each of the five energy groups there are subsets based on type of energy flow (introvert, central and extrovert), which is not the same as a personality type whom we might consider as introverted or extroverted. These subsets have evocative labels such as Retrospective, Visionary, Peacemaker, Newborn, Bright Star, Warrior Soul, etc. All members of the sulphur sign are considered Dark Souls. Since soul signs, unlike astrological signs, lack an obvious date marker, Altea gives numerous explanations and variations to help readers determine their soul sign and subset throughout. The book's chief merit is in provoking new ways of contemplating the human psyche.
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"Now there's a new compatibility game in town. . . . The signposts to harmony, peace, and contentment can be found in the language of our souls."--Santa Cruz Sentinel

About the Author
Rosemary Altea is one of the best known spiritual mediums and healers in the States. Highly professional and promotable, she has appeared on the Oprah and Larry King Live shows and been featured in the New York Times, Elle, People and Vanity Fair. Though she now lives in the States, she was born and bred in Leicester and still visits Britain a great deal.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Soul Signs
By Jeanne Engelman
Another "must have" book. One you will lend others but not give away. Good reference materials on your energy and soul signs. Better then horoscopes, and will surprise you and help you realize the differences and why the actions and beliefs of your family and friends differ so much from your own. Once you know why, it makes you closer to them and much more compassionate and helpful. You rid yourself of the mental & emotional baggage you have been carrying around for years. Once you read one of her books, you become like me, hooked on reading everything she has published. She is a 5 star read for sure.

0 of 0 people found the following review helpful.
Excellent Book
By Dawn A. Campbell
This book is helping me to come to terms with why my relationships are the way they are. This book will answer any questions to why people, family etc. act the way they do. I am very familiar with Rosemary Altea, I have 4 books of hers, but this one is so different. I will keep this on hand for years to come. It explains in details what Soul Sign you are and why! Great job Rosemary...

0 of 0 people found the following review helpful.
This is very engrossing -if you like astrology you will like this book
By Diane
This is very engrossing -if you like astrology you will like this book.
It goes deeper than astrology to give you alot more insight into why
you are who you are.You can't help but see yourself and the people
you know in this book. A good spiritual resource to use again and
again.

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Tuesday, March 10, 2015

[T389.Ebook] Ebook Molotov Cocktails (Volume 1), by Anna Mandoki

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Hungary, 1956. The height of the Cold War. Three years after the death of Stalin, and the satellite states of the Soviet Union are volatile, on the verge of igniting. Budapest is the place where the tension will explode. Weaving together interviews with freedom fighters and others who were there, this book will take you on an exhilarating insider's journey through the events of October and November 1956. Here are powerful and sometimes funny stories of student demonstrations, the toppling of Stalin's statue, fierce street fighting against Soviet tanks, and daring escapes. And the book visits Budapest fifty years on, to find out how things have changed. Molotov Cocktails is a work of non-fiction that reads like a novel. It explores revolution, exile and our ideas of home. Most of all, this is a book about the courage of ordinary people caught up in extraordinary events.

  • Sales Rank: #6725417 in Books
  • Published on: 2012-04-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .60" w x 6.00" l, .78 pounds
  • Binding: Paperback
  • 262 pages

About the Author
Anna Mandoki was born in the United Kingdom and now lives in Melbourne, Australia. In the early 1990s she worked as an accountant in Budapest, Hungary. Anna's short works of fiction and non-fiction have appeared in various newspapers, journals and anthologies, and have been broadcast on ABC Radio National. Molotov Cocktails, first published in 2006, is her first book.

Most helpful customer reviews

0 of 0 people found the following review helpful.
I was there.
By game player
I enjoyed this book because it brought back memories even if not good ones. I was twelve years old during the uprising. We were in school when it all started. Lived in Budapest. It was very frightening to see the Russian tanks rolling down our street.

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Friday, February 20, 2015

[Z113.Ebook] Ebook Download The Strange Library, by Haruki Murakami

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The Strange Library, by Haruki Murakami

From internationally acclaimed author Haruki Murakami—a fantastical illustrated short novel about a boy imprisoned in a nightmarish library.
 
Opening the flaps on this unique little book, readers will find themselves immersed in the strange world of best-selling Haruki Murakami's wild imagination. The story of a lonely boy, a mysterious girl, and a tormented sheep man plotting their escape from a nightmarish library, the book is like nothing else Murakami has written. Designed by Chip Kidd and fully illustrated, in full color, throughout, this small format, 96 page volume is a treat for book lovers of all ages.

  • Sales Rank: #24293 in Books
  • Brand: Knopf Publishing Group
  • Published on: 2014-12-02
  • Released on: 2014-12-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.39" h x .34" w x 5.52" l, .35 pounds
  • Binding: Paperback
  • 96 pages
Features
  • New In Publisher Shrink Wrap

Amazon.com Review

An Amazon Best Book of the Month, December 2014: What an odd and oddly beautiful little book. A little boy enters a quiet library -- “even more hushed than usual,” we’re told in the opening line -- and is sent to Room 107, where he meets a creepy old librarian who leads him deep into a maze of dark catacombs beneath the library. There, we learn of the librarian’s ghoulish designs and the boy encounters a small man wearing the skin of a sheep and a pretty young girl pushing a teacart, their worlds now “all jumbled together.” Not even fresh-made doughnuts can sweeten the boy’s nightmarish predicament as the librarian’s prisoner. The Strange Library was designed and illustrated by famed book jacket designer (and frequent Murakami collaborator) Chip Kidd, whose moody and mysterious depictions of a child’s (and a parent’s) darkest dream match Murakami’s surreal imagination. It’s hard to discern the message. Maybe something about knowledge being free or the value of libraries. No matter. This is vintage Murakami and, at the same time, something entirely fresh. No one puts animal skins on humans like Murakami. No one would dare. --Neal Thompson

Review
“As if the work of Japanese fiction master Haruki Murakami weren't strangely beautiful by itself, his American publisher has just put out a stand-alone edition of his 2008 novella The Strange Library, in a new trade paperback designed by the legendary Chip Kidd. . . . The story itself, full of characters and images both awfully weird and utterly down to earth, transforms as you read it, becoming a living, nearly talismanic exercise in how to lift yourself out of the realm of the ordinary and allow the sentences to carry you into an alternate universe. . . . The mysterious pleasure of it all is the payoff when you read Murakami. Some scholar may explain it to us all one day, diagram the roots of his work in the Japanese storytelling tradition, in fable and myth, the special effects he imports from American literature. For me, now, I'm just enjoying basking in the heat of this hypnotic short work by a master who is playing a long game.” —Alan Cheuse, NPR

“[A] charming, surreal story. . . . Cleverly designed and illustrated by Chip Kidd. . . . Whether he is writing for adults or children, [Murakami] remains a suspenseful and fantastical storyteller.” —The Washington Post

“It had me enthralled . . . a story of childhood, death and reading, drawn in both words and pictures, like a fairytale, yet there was nothing childish about it. . . . Let the Murakami-mania begin (again).” —Arifa Akbar, The Independent (London)

“Murakami’s wry metaphysical play feels no less diffuse in this concentrated form. His usual fascinations—the instability of identity, the uses of knowledge, the oppression of memory—fade in with just enough time to fade out, offering just enough light to coax you forward, deeper into the dream.” —The Boston Globe
 
“Welcome . . . once again, to Murakamiland: sheep men, waifs, quests, attentiveness to little (odd) things, a labyrinth, a stairway down . . . absurdity and irrationality, the tension between the fantastical and the everyday, real and unreal, sadness and loss, then sudden shifts out of the blue, and plenty of the plain runic. . . . [The Strange Library] plumb[s] the kind of questions that leave us all wishing for more room to breathe: the singular and ever-solitary individual . . . the loss of identity (for better or worse), groping in the dark, self-understanding in an unknowable world, the dignity of idiosyncrasies. . . . The spirit and tone of the writing: As if Murakami is driving down a strange road, not know[ing] what’s to come around the next curve: alert, aware, but as in the dark as the reader. He is, however, a really good driver.” —The Christian Science Monitor
 
“Those who come to Mr. Murakami’s work for the first time will be elated by the clarity and wit of his style as translated by Ted Goossen, and intrigued by his characters and the situations they face. The Strange Library . . .  stays in the mind because of its combination of brutality with flippancy, but mostly for its oddness. . . . In its own odd way it is a fun read.”—Washington Times

“The Strange Library is a subteen’s No Exit. . . . Beautifully designed. . . . Perfect for coffee tables in the gladsome season. . . . Readers looking for a light diversion in a heavily loaded holiday season should enjoy this existential vision.” —The Miami Herald
  
“Japanese master Haruki Murakami's short fantasy tale The Strange Library, designed by Chip Kidd with sublime vintage Japanese graphics, takes readers on a wondrous journey to the mysterious underbelly of a Tokyo library.” —Elle
 
“Striking. . . . [This] dryly funny, concise fable has all the hallmarks of the author’s deadpan magic, along with some Grimm and Lewis Carroll thrown in for good measure. . . . The perfect trip down the rabbit hole.” —The Free Lance-Star (Fredericksburg)
 
“Murakami manages to endow [these] pages with all that we have come to expect from his more leviathan tomes. . . . [Chip Kidd’s illustrations] seem so essential that, having experienced Murakami’s story in this version, one can hardly imagine it in any other form.” —The Japan Times

“Dreamlike. . . . What is immediately clear . . . is just how much thought went into the design and illustrated content. . . . Published by Knopf, the U.S. edition is a Chip Kidd production, and while Kidd’s prolific portfolio demonstrates how comfortable he is working within any and all design idioms, The Strange Library is an in-your-face zoom-in on the faded comics qualities Kidd so often employs when working on Murakami titles. . . . [The illustrations] are what ignite the reader’s thoughts about what the narrator is up against. . . . The designs force the reader to actually read, and read into, the design. . . . Everything that comes to pass in The Strange Library, like in so much of Murakami’s fiction, questions the differences between what is real and what is not, and whether such a distinction even matters. . . . Evocative, atmospheric.” —The Millions

“Can a font be heart-breaking? I didn’t think so, until now. . . . More than anything, I found myself free-associating while reading The Strange Library: Kafka, Dalí, Nabokov, and Poe all came to mind.” —Jon Morris, PopMatters

“Designed by Chip Kidd, nearly every other page contains a beautiful image, often an abstract representation of what is happening to the narrator. This sinister story and gorgeous artwork come together like an unforgettable nightmare. This one has some major gifting potential.” —Bustle

“At once beguiling and disquieting—in short, trademark Murakami—a fast read that sticks in the mind. . . . Murakami loves two things among many: Franz Kafka (think Kafka on the Shore) and secret places (think 1Q84). This latest, brief and terse, combines those two passions. . . . It would take a Terry Gilliam, or perhaps a Kurosawa, to film Murakami’s nightmare properly.” —Kirkus Reviews
 
“This dryly funny, concise fable features all the hallmarks of Murakami's deadpan magic, along with splashes of Lewis Carroll and the brothers Grimm. . . . Full-page designs from Chip Kidd divide the sections, bolstering the book's otherworldliness with images from the text alongside mazelike designs and dizzying close-ups of painted faces.” —Publishers Weekly

About the Author
HARUKI MURAKAMI was born in Kyoto in 1949 and now lives near Tokyo. His work has been translated into more than fifty languages, and the most recent of his many international honors is the Jerusalem Prize, whose previous recipients include J. M. Coetzee, Milan Kundera, and V. S. Naipaul.

Most helpful customer reviews

87 of 91 people found the following review helpful.
A picture book for adults, from Murakami's younger days
By C. E. Stevens
Reading "Strange Library" feels like a trip down memory lane ... or perhaps "down a well" or "into a dark basement" would be the more appropriate analogy, given that this is Murakami we're talking about. Written in 1982, adapted as a illustrated, stand-alone short story in 2005, translated into English in 2014, it is important to remember that this is not "new" Murakami, but rather very early Murakami--to put it into context, the original short story was published at pretty much the same time as "A Wild Sheep Chase," just 3 years after his debut novel "Hear the Wind Sing."

As for the story itself, do not be deceived by the quick pace, young protagonist, the illustrations, and simple vocabulary: this is not a children's story, but rather a "fantasy for adults" as the book cover on the Japanese version states. The elements of magical realism are what you'd expect from entering-his-prime Murakami, the themes of detachment, loss, and coming-of-age (as well as the requisite mysterious, pretty young woman) will be familiar to veteran Murakami readers, and the ever-present menace, oppression, and threat of violence foreshadow the darker parts of some of his later works. The combination of cute pictures and whimsical elements with what really is a pretty heavy storyline heightens the dissonance--and, I would argue, the enjoyment--of this unique work. Despite being a quick read, it is one that sticks with you and flits around the subconscious long after you close the cover for the last time ... like a dream ... or perhaps a nightmare.

37 of 40 people found the following review helpful.
Allegory of grief and loss
By B. Moore
Strange Library is a dark work, powerful in its own terms, yet ultimately quite stark and grim.
The first thing to note is the exquisite design of the book. A Kindle version will not do. It is a beautiful object and is meant to be handled and appreciated for the artistry of presentation. There are all sorts of little things, like, for instance, a notation on the spine of the book that let's one know that one cannot read the book outside the precincts of the library. So, you, the reader, are also inside the strange library.

The voice of this work is vintage early Murakami: Whimsy, laconic humor, a mysterious beautiful girl, a sheepman, labyrinths, and worlds with permeable borders. Critics sometimes note a connection to the French theorist, Lacan, and a theme of ever deferred desire in Murakami. This may be true, but this work is more Heidegger and his notion that all being is "being towards death," for mortality is the overt threat and deep context that suffuses the entire tale with ennui.
For the rest of this, I am going to talk details, so this is a spoiler alert. Don't read further if you do not wish to discover the plot and denouement.

The modern West is secular, superficially optimistic, and more deeply nihilistic. This is my view. We distract ourselves from the ominous and ever present danger of death, which we nonetheless have hidden away as much as possible. Our consumerism is driven by the need for novel spectacle to keep darkness at bay. And yet, we are also still the heirs of Western Christendom. Why this excursus? Because Christianity tells a story of death's defeat. The most fundamental reality is deeply comic, because life has the last word.

So, even a secularist in the West will often bear a trace of religious belief. We like happy endings and we "believe" in them. Thus, Murakami's tale will be unsettling and disappointing, because it subverts hope. Death is victor in this fairly tale for adults.
If one wants a rationalist version that could explain the plot. Here it is. A little boy, thoughtful and sensitive, is living with a sick mother and his pet bird. At a subconscious level, he knows his mother is dying, but he doesn't want to face it. Then one day, his pet bird dies. The death of the bird makes grief and loss existentially real for him. The yawning abyss of loneliness that awaits should his mother die suddenly becomes overwhelmingly real. The little boy hides out in a library for three days. He loses his new shoes. When he returns home, his mother is sweet to him and doesn't berate him, for she is full of unspoken understanding.
The last page of the book is written in tiny print. The boy's voice is reduced to almost nothing. His grief wishes to make tragedy disappear. He announces that his mother has died of a mysterious illness and he is alone. Grim, single m.
In this context, the fabulous tale is an effort to escape what cannot be escaped. That is why the boy's allies disappear and his seemingly successful attempt comes abruptly to nothing. The boy's courteous nature before the menacing old man is a wish that decency and good manners would win out over evil and decay, but it just doesn't. More could be teased out, but this is probably already too prolix.

Bottom line: This is a good, early work, but you might feel cheated. You might feel it's unnecessarily bleak and mean. One might alternatively appreciate the work as a blend of adult insight, ingenious design, and child-like dreaming that embodies an idiosyncratic myth. The darkness at the end may appear a relief from sentimental and too cheaply bought victories.
This reader appreciates the latter possibility, but as a believer in what Peter Leithart calls "deep comedy," I was rueful of the ending. I prefer Murakami when he offers a more comic vision, though I suspect his metaphysical agnosticism more naturally tends in this direction.

1 of 1 people found the following review helpful.
‘“If all they did was lend out knowledge for free, what would the payoff be for them?”
By Reading Bifrost
‘“If all they did was lend out knowledge for free, what would the payoff be for them?”
“But that doesn’t give them the right to saw off the tops of people’s heads and eat their brains. Don’t you think that’s going a bit too far?’”

If you haven’t ever read a story by Murakami before, he’s odd. Very odd. I’m trying my best to review this without giving away any spoilers at all for those who just want to read the story and for those who like to dig for the deeper meanings.

That being said, The Strange Library is a short story presented in a lone book. The book itself is odd, the cover has to be flipped open and has very strange vintage Japanese illustrations to match the story. Everything about the story seems simple and straightforward- not digging deep into characters or plots- adding a richness and dreamlike quality to the story.

But, if you take it to the true Murakami level of reading (we’re talking deep philosophy here) then the reader just might see that the story really revolves around the boy, his pet bird, his mother, and death.

visit blog for original review with details (contains spoiler)

Overall The Strange Library was a fabulously odd short short story wether you’re just looking for a quick read or something you can sink your teeth into. I’d suggest getting a hardcopy instead of an ebook for this one just because the Chip Kidd design does add a lot to the story.

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Wednesday, February 18, 2015

[I224.Ebook] Fee Download Corporate Finance Law: Principles and Policy (Second Edition), by Louise Gullifer, Jennifer Payne

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Corporate Finance Law: Principles and Policy (Second Edition), by Louise Gullifer, Jennifer Payne

The second edition of this acclaimed textbook continues to provide a discussion of key theoretical and policy issues in UK corporate finance law. Fully updated, it reflects developments in the law and the markets in the continuing aftermath of the global financial crisis. One of its distinctive features is that it gives equal coverage to both the equity and debt sides of UK corporate finance law, and seeks, where possible, to compare the two. The topics covered include: an overview of the financing options available to companies * the relationship between debt and equity * the issuance of shares * legal capital * contractual protection for creditors * proprietary protection for creditors * syndicated loans and bond issues * the transfer of debt, including structures which have a similar effect to transfer * public offers of shares * the regulation of the secondary market, including disclosure rules and market abuse regulation * the regulation of debt * takeovers * schemes of arrangement and private equity. Each chapter analyzes the present law critically so as to enable the reader to understand the difficulties, risks, and tensions in this area of law, and the attempts made by the UK's legislature and the courts, as well as the parties involved, to deal with them. The book will be of interest to practitioners, academics, and students engaged in the practice and study of corporate finance law. [Subject: Corporate Law, Finance Law]

  • Sales Rank: #2082264 in Books
  • Published on: 2015-12-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 1.70" w x 6.70" l, .81 pounds
  • Binding: Paperback
  • 936 pages

Review
Praise for the First Edition

.a treasure trove of information on a number of disparate subjects...The treatment throughout is stimulating and informative (David Marks QC International Company and Commercial Law Review)

About the Author
Louise Gullifer is Professor of Commercial Law and Jennifer Payne is Professor of Corporate Finance Law, both at the University of Oxford.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By yuroj
good

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Thursday, February 12, 2015

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Likeable Social Media: How to Delight Your Customers, Create an Irresistible Brand, and Be Generally Amazing on Facebook (& Other Social Ne

  • Published on: 1709
  • Binding: Hardcover

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